You could never have made this game two or three years ago on the PS2.īack in the far more sedate surroundings of a large Polish country house, sitting down to play the game ourselves, we were able to see beyond the pretty, and begin to get some ideas about whether Big Red One would carry the mantel of its ultimate predecessor, or fall into the more troubling console category of the disappointing port, Finest Hour. With our libraries of graphics and sounds, and our graphics engine, its all evolved.
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We can wrangle just about everything out of the PS2 now. Ive been doing this a long time, says Busic, and I find that the best games come in the twilight of any hardwares development cycle. So how does it look quite so good? Closer inspection does reveal it to be of PS2 stock, but this is still pretty damned impressive stuff. One guy said, Piss off, I dont believe you. I opened the cabinet and I showed him it running, and hes like, watching the cables running to the monitors. ∛ut thanks! We had to put signs up on the monitors that said, Live PS2 gameplay footage. Hey, is this Xbox 360? people would say. ∺t E3 this year, we had two big flat-panel monitors up, and I got so many questions. No let up in the cinematic intensity.Īnd not one new to developer Treyarchs creative director, Christian Busic. Was this really the PS2, we asked one another, or was this the 360 game? Thats some accolade. (This was after getting over the slightly more disorientating disbelief that we were sat in a Nazi bunker, surrounded by German officers, watching giant widescreen monitors showing us videogames). So it was, as we sat in one of the few Nazi bunkers that hadnt been blown apart, we were to stare in disbelief at the images appearing on the giant screens in front of us. And while Call of Duty 2 utilises the awesome potential powers of the PCs multicore processors and the Xbox 360s triple processing prowess, Call of Duty 2: Big Red One (confusing titles, we realise) would surely be a generation behind? Especially if youre performing that act on a group of consoles reaching the end of their lives, the bigger, more powerful machines only months away. It understood the crashing cymbals as well as it understood the quietest flutes. The PCs Call of Duty was an astonishing first-person shooter, built with an orchestral majesty. Which, in many ways, reflects the games it was intended to promote. Somehow, it was respectful, educational, and affecting. Its not quite clear how, but somehow this wasnt the case. It could have been a nasty, distasteful PR stunt, pissing on the history of where we were, and what the games were recalling. But this was how we were introduced to Call of Duty: Big Red One. Being ambushed by German officers in the middle of the woods, while on the way to visit Hitlers Camp Wolf on the back of a WWII jeep, is even stranger. Being in the middle of Poland, hundreds of miles from the nearest town, having reached where we are by an hours violent shaking in a twelve-seater bi-plane, is a peculiar way to see a game.
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